The Twenty-Minute PolicyThursday, 5 August, 2010
Verdict: Divergent views
London – Etcetera Theatre – 3 August 2010 – 19:30 (1:00)
There are three tables and three chairs. It’s reminiscent of the exam room at school, but it’s not. This play is set in a nameless institution where two women, deprived of liberty, are awaiting the arrival of their visitors.
World-weary Tess (Charlotte Sutherland) sits at an adjacent table to the passive, slightly bovine Lisa (Gigi Burdorf). Tess is as taut as piano strings, playing a frenetic spoilt brat (her visitor, her father is never late, she tells us) with a gift for irony. Lisa who wants nothing more than to have a chat and get on with people, is awaiting the arrival of her sister.
The unseen presence throughout the play however, is ‘The Book’. The Book contains the rules of the institution, which include (of course), the twenty-minute policy that gives the play its title. Something though, seems to have gone wrong, The Book and its rules and regulations seem not to be working. And so Tess (who is determined to push the rules to the limit) and Lisa (whose existence almost depends on the rules) each try to undermine each other’s comfort zone.
There are some sharp lines and clever writing here, and the thing is played fast, Tess often clipping over Lisa’s responses. There’s a lot of wit on show too, but it often hovers around the sitcom level, rather than really probing deeper.
Even when the hapless Andrew (David Swain) arrives, an employee of the institution looking for somewhere quiet to eat his lunch, things don’t get too much clearer. The rules aren’t quite rules, it seems. It’s almost as though writer Trent Burton is telling us that nothing ever does get resolved, no prejudices can quite be undermined by argument. We believe what we want to believe.
Having said all that, this was an enjoyable production, marked by some concentrated performances from the chief protagonists and directed with some wit by Melinda Burton. David Swain too, wrings every ounce of presence out of his diffident and put-upon character. Tiffany Hudson, responsible for sound and lighting, will have had a busy night – every so often mysterious doors clang shut somewhere and a choir sings. More mystery, never quite resolved.
Reason and belief, rules and logic are the subjects of this play, which often flirts with territory that might well have yielded more momentous and thought-provoking conclusions. Instead, it opts for comedy, rather than anything darker, despite the potential of some well-drawn characters.
Cast Credits: Lisa – Gigi Burdorf; Tess – Charlotte Sutherland; Andrew – David Swain
Company Credits: Writer/producer – Trent Burton. Director – Melinda Burton. Sound and lighting – Tiffany Hudson.
Reviewed 3 August 2010
(c) Michael Spring