Archive for May 3rd, 2011

h1

Gateshead International Festival of Theatre

Tuesday, 3 May, 2011

Caroline Pearce reviews GIFT

On Friday lunchtime it started, with a tea party in the streets of Gateshead outside the impressive Old Town Hall.  It’s just a stone’s throw from the bustling city centre of Newcastle, but important in its own right.

GIFT is what it says on the tin, a festival of international theatre.  The brainchild of Director, Kate Craddock who aims to bring culture to the people of Gateshead and tempt the hoards of visitors up from the iconic Quayside buildings of BALTIC and The Sage Gateshead, onto the High Street.  Based on feedback, Kate’s comments and the sense of achievement and celebration which filled the weekend, this is set to be the first of many.

Kate said “I really believe in festivals as a space for people to come together, to exchange ideas and to make new connections, and I am proud to say that it really felt like this was what happened this weekend at GIFT. I was overwhelmed by the level of enthusiasm both from artists and audiences to support one anothers’ work and to genuinely engage in dialogue about that work.”

The three-day event was filled with delightful and experimental performances by companies from all over the world, from Lawnmowers Theatre Company who are based in Gateshead Old Town Hall, to Foyer Productions who brought their new multi-media show ‘Elena Elena’ all the way from Korea, especially for GIFT.

Gateshead Old Town Hall’s main theatre hosted a wonderfully diverse series of performances about topics including Nixon, grief, hitch hiking to a G8 summit, time, Chekhov and absolutely nothing.  Other performances were held in a bar, a church and an empty shop.  There was storytelling, audience participation and silent dancing – all in a day’s work for these festival bunnies.

There was a programme of professional workshops for the artists which was completely filled; artists wrote and discussed and interacted with their international peers. There were too many to mention them all, but performances ranged from Gateshead’s own Angela Kennedy and Liz Pavey’s ‘Cell’ dance installation in the Town Hall’s old prison cells; a performance installed in a box housed in Gateshead Interchange Metro Station, ‘Kapzuola’ from Austria and ‘Building the Big Society’ by Molly Barrett and Edwin Mingard, which featured a cardboard taxi travelling the streets.

Kate added, “the festival was intended to serve as a response to an area that is currently undergoing major redevelopment work. I was delighted by the extent of engagement with the sited performance works and street theatre that took place, with casual and unsuspecting audiences encountering performances in unusual spaces”

The success of the festival could be measured by the number of people who went along, enjoyed it and went back.  The last event on Sunday night, Richard Dawson’s gig ‘The Magic Bridge,’ was so crammed out they were turning people away at the door.

GIFT happened from Friday 29 April to Sunday 1 May 2011

For full details of the programme and more information see: www.giftfestival.co.uk

(c) Caroline Pearce 2 May 2011

h1

Assembly creates a new hub for Edinburgh 2011

Tuesday, 3 May, 2011

An Assembly Spiegeltent in 2010

Assembly has been integral to the Edinburgh Fringe for the last 30 years, during which time it has presented many major names in the arts and entertainment industry.

The closure of the Assembly Rooms on George Street for renovations means that it is to move its centre of operations from George Street to a new hub in George Square, where it will operate seven venues. There will be three spiegeltents in George Square Gardens – the Bosco Tent (180), the Dans Palais (250-275) and the Teatro spiegeltent (400).

Here will also be a Luminarium from Architects of Air. Around George Square there will be four indoor venues: George Square Theatre (520), two theatres in the David Hume building and a temporary theatre in a garage One (275), Two (160) & Three (122).  The whole site will be linked, creating an environment around the entire east side of George Square. This, in addition to the Assembly Hall on the mound which boasts three theatres (Hall, Rainy Hall & Baillie Room), means that Assembly will have ten performance spaces and a programme of around one hundred shows from small scale to major showcases founded on theatre and comedy, but bringing in a vital mix of other genres including children, circus, music, dance and cabaret.

Assembly now represents 20% of the entire Fringe box office, generating in the region of £15 million worth of visitor spend every year. The quality of the work has been exceptional and this success is rewarded with accolades from the press and countless awards.

Assembly is committed to providing the highest possible production values, service and facilities to audiences, companies and visiting promoters/producers.

www.assemblyfestival.com

Follow

Get every new post delivered to your Inbox.

Join 33 other followers